According to Juniper Research’s latest study, digital ticket users will reach 2.2 billion within the next 4 years. It’s clear our world is shifting to mobile-based ticketing. Purchasing a ticket…
Category: Ticketing Technology
TicketPeak grew out of love for musical theater. At our core, we are musical theater folk. It may come as no surprise then, that one of our newest features was…
TicketPeak is more than just an online ticketing system. One of our latest software features allows you to create class registration pages. This feature is designed with musical theaters, schools,…
Here we are with Part 6 of The Best Ticketing Software of 2015 Series. We’re officially more than half-way through our goal to cover 100 of the most talked-about ticketing systems (as determined by Capterra reviews and ratings). Check out Part 1, Part 2, Part 3, Part 4 and Part 5 for the other ticketing systems that we’ve already covered.
Be sure to follow along with us on Twitter and Facebook! We’re tweeting under the #TicketingSystemTuesday hashtag every Tuesday to help you stay in-the-know about the latest ticketing technology news, helpful ticketing tips, and useful advice about selecting the right ticketing system for your performing arts organization.
Today we’ve got ten more ticketing systems to take a look at – ATMS+, Attendly, AttendStar, AudienceView, Bilet, BilheteiraOnline, Box Office Liaison, Box Office Professional, Box Office Software, and Box Office Xpress.
Big happenings are afoot in the event ticketing industry! Just a little over a month ago a rather monumental acquisition took place; San Francisco-based company, Ticketfly, bought Vancouver owned and operated company, Northern Tickets, for an undisclosed amount. Prior to this acquisition, Northern Tickets was the in-house ticketing organization for the MRG Group, which has affiliations with such prestigious establishments and events as the Vogue Theatre and the Vancouver International Jazz Festival.
On March 12th, Juniper Research released a global study of mobile ticketing industry trends: Mobile & Online Ticketing: Transport, Events & NFC 2015-2019. Authored by Nitin Bhas, this study provides…
Once again, the secondary ticketing market is causing problems for true fans and music lovers around the globe. Of course, the nature of supply and demand will often leave would-be concertgoers disappointed when they can’t secure tickets to their favorite act; however, it’s an entirely different matter when purchased tickets become re-released into secondary ticketing markets only moments after the show is announced as “sold out.”
On the hunt for an incredible online ticketing system that offers your performing arts organization all of the features that you need at a price that you can afford? Look no further – we’re here to help!
This is our third instalment in a review of online ticketing systems. So far we’ve taken a look at Eventbrite and Brown Paper Tickets. Today we’ll be taking a closer look at Vendini’s all-in-one solution, as well as a few key points to ponder when considering this particular ticketing system.
On February 24th, the U.K. Government took important steps towards protecting the rights of consumers wishing to purchase event tickets through secondary ticketing markets, such as StubHub, Viagogo and Seatwave. In the hopes of protecting fans from fraud (and discouraging scalpers from buying tickets in bulk) the House of Lords and House of Commons have come to an agreement for a ticket re-sale policy amendments made to the consumer rights bill tabled by Conservative peer, Lord Moynihan.
If you’ve been following along with our blog, you might remember a few of our posts from July of last year regarding the much-debated Ticketmaster.com Class Action Settlement, Curt Schlesinger et al. v. Ticketmaster. If not, here are links to our previous posts covering this important ticketing concern:
- What You Need to Know About the Ticketmaster.com Class Action Settlement
- Number Crunching: Who’s the Real Winner in the Ticketmaster.com Class Action Settlement?
We thought that it was about time to check in on the settlement and see how the case is progressing. The final approval hearing was scheduled for January 13, 2015 at the Los Angeles Superior Court; however, Judge Kenneth R. Freeman did not rule on the settlement. As far as we can tell, this was a rather unexpected turn of events as it was expected that this hearing would mark the end of this long and tedious settlement.